Dinner was both up-to-date and near-perfect: I ate onion soup, escargot, duckling bigarade, a small salad with sauce vinaigrette, home-made sorbet, a freshly baked fruit tart (with crust a tad soggy, if truth be told), and dark, rich coffee. We drank a spicy Gewürztraminer and a mid-level Bordeaux, and stumbled back to the car sated and happy. The cost of the meal for four, including wine, tax, and tip was $100.
That was my first contact with serious French restauration, nearly thirty years ago. Barely out of my teens and developing an interest in life’s finer things, I headed north with three older buddies to try the first restaurant reviewed in Seymour Britchky’s new Restaurant Reporter: La Crémaillère in beautiful Bedford, New York. Mr. Britchky wrote, “La Crémaillère is unquestionably one of the finest eating places in the country, and compares well with the best restaurants in France.”
Fast-forward to 2002: Thinning, graying hair, slightly thickening waistline, world-weary ennui, once again Autumn. Inspired by Lizziee’s tour de France but shy a transoceanic ticket, I thought I’d revisit Westchester County and my own past by way of lunch. Unlike myself, La Crémaillère appeared little changed. While in no way institutional, the place had the aura of beloved old institution. Everything felt just as I expected, and the food was unadventurous but delicious.
We began with glasses of Champagne -- not Krug, but OK -- while tearing into warm, crusty bread. The butter (uncultured American butter, Nina and Jaybee) was served too cold, but, to be fair, we arrived slightly before noon, the first of only three lunch parties that day. The prix fixe offered a choice of soup or appetizer, an entrée, and a dessert for a reasonable $33. Having come this far, we chose both soup and appetizer for a supplemental charge.
I didn’t steal a menu, so here’s lunch from memory, related out of deference to FG with minimal adjectival interference:
- Hot vichysoisse. (We ordered billi-bi as well, but minor confusion resultied in double vichysoisses.)
- A plate of two terrines, liver mousse, cornichons, coleslaw, (sorry, fresh cabbage salad), radicchio, endive, and grainy mustard, sided by warm toast.
- A riff on the usual snails with garlic, shallots, parsley, butter, i.e., those very ingredients, including whole roasted garlic cloves, in a creamy risotto.
- Crisply roasted half chicken (great skin!) in a slightly sweet reduction with a hint of black truffle, served with roasted tiny potatoes (tangy from goose/duck/chicken fat?), mushrooms, caramelized onions, and peas.
- Leg of baby lamb, rare as requested though slightly too cool, in a pan sauce, served with spinach and a ragout of white beans, artichokes, olives, and probably tomato, atop some very potato-y potato puree.
- Molten-center chocolate cake with white mint chocolate-chip ice cream. The plate was decorated with a leaf design, of translucent raspberry sauce outlined in chocolate, that looked like edible stained glass.
- An ice cream sampler, of chocolate almond, pistachio, and black cherry, on a meringue-cookie platform in a pool of warm chocolate-mocha sauce. Each ice cream was exemplary of its kind. Both desserts were decorated with crisp wafers of different shapes.
- Decaffeinated coffee, maybe even French-press coffee, but hey, two cups probably won’t kill me.
All plates were nicely arranged, with the meats, including the chicken, sliced and carefully reassembled. Aside from the bit about the soup, service from the captain, waiter, and bus staff was impeccable. Those ice creams are available in pint containers labeled Crème Crémaillère, probably even in a gourmet shop near you. The sonority of “Crème Crémaillère” notwithstanding, a crémaillère is not a dairy ("creamery"), but rather the rack, or hook, from which a kettle once hung in the hearth. Watch those accents!

For the record, recent kitchen graduates are said to include David Burke and Waldy Malouf; under William Savarese, according to John Mariani in the Wine Spectator, the dinner “menu has become comfortably modern, incorporating new ingredients into fresh ideas thoroughly based on sound French principles.” One aspect of this modernization is apparently that the menu, at least at lunch, is now in English; perhaps dinner is more formal, or perhaps the restaurant maintains parallel sets and we just had that tourist look about us.
As we left, a magazine photographer commandeered the front room for a dessert shoot. My lunch was but a single data point, but I’d gladly return.
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If anyone is interested, I’ll be willing to post further excerpts from Britchky’s 1971 review. It beautifully illustrates how our concept of “cuisine” may have changed, but the essence of cooking – and restaurant reviewing – really has not.







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